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E. Tautz

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There was always a sense of history and storytelling in E.Tautz, from the intimate days when Patrick talked us through the collection to more recent shows in the vast space of The Old Sorting Office. In that more intimate past the story was often in the fabrication itself and needed…


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London Collections: Men ended on Wednesday, concluding the busiest schedule yet. Here are my favourite themes that emerged during the week. Forest green While black is most definitely back, forest green and charcoal kept the mood sombre but provided slightly gentler, more natural alternatives at the shows this week. Matthew…


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It’s not often I let the pictures do the talking (in fact, I’d argue that menswear currently has way too much much image sharing and not enough good writing), but reviewing these backstage pics from the E.Tautz SS14 show a couple of weeks ago now, I’m struck by the way…


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During the packed schedule at three days of London Collections: Men, it’s easy for things to start to blur but certain experiences stay with you. And it’s not just about the clothes. The spectacle and theatre of catwalk and installations creates powerful moments when music, space, lighting and a load…


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Patrick Grant’s little talks at the start of each E.Tautz collection are one of the givens of the menswear season in London, bringing a touch of intimacy and old-school charm to the experience of attending a fashion show. Whilst the echoing blank canvas of The Sorting Office space made such a verbal introduction impossible this time, the austerity of the space meant that the AW13 collection was left to create its own sense of drama and occasion. The pacing was unique in the Collections, no straight-out-of-Hackney-Wick striding here, instead there was time for the models (and us) to breathe between looks. A stirring soundtrack – Ultravox’s Vienna was particularly poignant – added to the sense of spaciousness.


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For many of London’s menswear designers, Christmas 2012 will be remembered more for a lot of hard work than traditional festive over-indulgence. In a festive tribute to their renewed efforts today, I’m picking up where I left off as well, with my series of tasters for LC:M, AW13. Today’s post…


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With less than a week to go now until the launch of London Collections: Men, it seems very fitting to be posting about the house of E.Tautz and it’s designer, Patrick Grant. Last season I witnessed Patrick backstage, remarkably calm whilst models took their final walks (hairclips still in place)…


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With just two weeks to go, I thought I’d share some of my hopes and excitement about the newly extended menswear ‘week’ in London. Leading men’s fashion editors like New York Times’ T Magazine’s Bruce Pask are coming to town, to attend not only the shows but a rather glittering…


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Backstage at E.Tautz yesterday I was struck by the sense of calm and orderliness. Models in hair clips were being given final instructions on pace and demeanor, outbreaks of Estuary English accent adding grit to the vision the Toni & Guy team had perfected, as though one could suddenly hear…


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Pathos isn’t typically an emotion one expects from a show at London Fashion Week but as orchestral strings struck the opening note at Lou Dalton’s show there was an instant sense of heartstrings being tugged too. Here was a story. Which made perfect sense after reading the press release which explains the collection’s inspiration in a simple wartime love story between a conscripted officer and a local land girl. This simple narrative context provided Dalton with an opportunity to mix military and country garments, a combination which perfectly lends itself to her ongoing exploration of traditional English country attire. I loved the idea of a wardrobe begged and borrowed to withstand hardship, assembled through the need for warmth and practicality (an idea reminding me of the E.Tautz mix of sportswear and warm layers from the ‘Cuban Olympians’ collection a few seasons ago) and creating one-off fusions of old and new in the process.


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