Mad About The Boy, curated by Showstudio alumnus Lou Stoppard, opens on 8 January exploring fashion’s obsession with youth, focuses on the way ideas of the teenage boy are constructed through definitive collections and fashion images. Inspired by designers’ fascination with youth culture, Mad About The Boy will examine the motifs and parallels within fashion’s treatment of youth.
The exhibition will collate the work of designers and image-makers including: Raf Simons, J W Anderson, Nick Knight, Larry Clark, Jason Evans, Kim Jones, Meadham Kirchhoff, Tyrone Lebon, Nasir Mazhar, Martine Rose, Gosha Rubchinskiy, Christopher Shannon, Judy Blame, Undercover, Patrick Robyn and more.
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On Friday, the exhibition Hello My Name is Paul Smith opened at The Design Museum on London’s South Bank and I was lucky enough to be there. A press release I’d seen showed images of the creative chaos of Smith’s office, apparently moved wholesale into the stark focus of The Design Museum’s white space, consisting of countless inspirational objects, art works and bits of stuff. Aside from this, I wasn’t sure what to expect. Would there be actual clothes? Or, being The Design Museum, would there be a contrary focus on Paul Smith’s non-fashion work: from vehicles to furniture and other objects? As it turns out, his fashion work is reviewed as a whole: from the origins of Smith’s’ global business in a single, modest Nottingham shop space, to the scale of … Read More »
Whilst I’m missing the party to celebrate hat makers Bernstock Speirs’ 30th anniversary tonight, I’ll definitely be there in spirit, and will be hotfooting it to the exhibition at Fred‘s on Riding House Street when I’m back in town. To me, Bernstock Speirs is part of London’s vital fashion story, and part of my own story of living there too. There are few names (Joe Casely-Hayford, Vivienne Westwood, Judy Blame, Princess Julia are some of the others) who have been so ever-present in London’s fashion landscape over the last few decades, especially now, when names seem to emerge and disappear so quickly. I was first aware of Bernstock Speirs in the era of Bodymap and Michael Clark, when London’s gay nightlife was at the epicentre of a small yet incredibly influential creative … Read More »