Tag: Louis Vuitton
I have to confess that the Pitti/Milan leg of the current triathlon of menswear that is the European menswear shows was a bit of a blur. After seeing SO many shows and presentations at LC:M this season, the Italian shows whizzed by with the haste of a Vespa slash-and-grab chase. Now Paris is midway through, and it feels like a good moment to pause and reflect on what’s been shown since London and to focus in on some of the most beautiful details. If there’a anything that feels like a common thread here, its a desire for futurism, a desire to see what the future might look like even if that involves elements of the past reimagined.
1. The Nemeth fabric at Louis Vuitton
I am a huge fan of Kim Jones. From his Read More »
I’m not sure I really believe in trends any more, neither do I want to facilitate the easy dilution of designers’ ideas through tidy generalisations. But call it collective consciousness, cultural synergy or simply a reaction to what’s gone before and inevitably, themes emerge after four days of menswear shows. Here are some of those I noted while attending dozens of shows across the full four days of London Collections:Men.
The colour pink
It would be a natural assumption to make that Sibling’s all pink collection was a starting point for this one (especially if there’s any doubt in your mind that such a theme exists at all) but actually, I’d first noted the use of dusky pink in Lou Dalton’s collection, on short printed scarves, a pink sweater and the on the shaggy inner lining of a coat. Furthermore, Casely-Hayford injected … Read More »
As tributes to the late Frankie Knuckles, godfather of house, continue to pour in from across the music world following his death this week, its clear that the musical genre has had a huge influence, but what impact has this massively-popular music subculture had on British fashion, if at all?
The arrival of house and the later onset of the rave era in Britain has often been derided by the likes of sartorial commentators like Robert Elms as marking the end of club dandyism and triggering an era of pastel tracksuits.
In fact, many of the influential dandies and club kids from the Blitz club era embraced house because the music came from a newly-emerged urban, black gay subculture and therefore appealed to the free spirits and mavericks within the club scene here (as evidence, Boy George is still a house music … Read More »